Daniela Morganiça is a multidisciplinary artist from Portugal. With a focus on performing arts, her work is about struggle and persistence, questioning always the limits of oneself physically, emotionally and socially. And, above all, about the love that dwells in these acts of rebellion. https://www.instagram.com/fabianne_dubois/
Ari Jaaksi is a Finnish creative with diverse pursuits. He embraces photography as a creative outlet, working mainly with analog black-and-white film. For Jaaksi, the creative process is just as important as the final image, giving each photograph purpose and intent. https://slowlight.art/
Ott Kattel is a Estonian visual artist drawn to natural phenomena, architecture, and their portrayal through photography and video art. He explores both modern digital tools and the tactile world of analog photography, where the process itself often sparks creativity. https://www.instagram.com/unxle/
[Please register for the workshop, as space is limited. copperleg@rae.ee]
Tear! (Fear) Photo Marlene Leppänen at Kanuti Gildi SAAL / Made in Estonia Marathon 2025
Daniela Morganiça, a multidisciplinary artist from Portugal, specializes in the performing arts. She has been creating her own works since 2005 and also collaborates on co-creations with both Portuguese and international artists. After a 10-year hiatus, Morganiça returned to the stage in 2022 and has since been actively exploring themes of struggle and persistence, In her work she is constantly questioning the physical, emotional, and social limits of the self. Morganiça´s art is intrinsically linked to advocacy for accessible spaces for all bodies, particularly focusing on the instrumentalization and objectification of non-normative bodies in the arts, social, and work environments. At its core, her work is about the love that arises through these acts of rebellion.
Tear! (Fear) Photo Marlene Leppänen at Kanuti Gildi SAAL / Made in Estonia Marathon 2025
CopperLeg & Made in Estonia Marathon 2025
Morganiça’s curiosity about CopperLeg emerged during her time working in Finland, where she observed the deep connections between Finnish and Estonian artists. With a new creation in progress, applying for a residency at CopperLeg felt like a natural step.
The opportunity to participate in the 18th Made in Estonia Marathon at Kanuti Gildi SAAL added another layer of dynamism to the residency, allowing Morganiça to test her physical and communication skills. The experience pushed her out of her comfort zone, providing the privilege of experimenting with new ideas while being accepted fully—not just as an artist but as a person with disabilities.
Morganiça’s performance Tear! (Fear)at the Made in Estonia Marathon 2025 was a raw display, a product of a shared vulnerability and profound exploration of fear. Though the performance is still a work-in-progress, she leaves with far more material to work with than she initially imagined and a deeper understanding of herself as an individual.
Daniela Morganiçaabout Tear! (Fear):
” This performance is the second of an autobiographical series. Having a journal (started in 2007) as reference and the contrast of two kinds of daily life (and memory of two bodies) this one reflects our own fears of change, our need to belong to somewhere or someone and the inevitable conclusion that our best can easily not to be the best as we hope. When the performance “Auguri! (Agouro)” (the first of the series) was related to the acceptance of the imperfect, Tear! (Fear) talks about the struggle and frustration that comes as part of the acceptence. The creation of a choreographic piece was an urge – movements are universal. With the narrative in mind – a timeline interrupted by something unexpected (a stroke, in this specific case) and all the confusion, inner upheaval, hope and fear – a very specific soundscape was needed to illustrate it, which was created in residency, as well as the choreography. This 8 minutes piece was brought to stage at Kanuti Gildi SAAL on the 8th March. As this work is still in progress, new materials were token (video recording of the landscape, audio recording of John Grzinich installation piece “Powerless Flight”) which I’m currently working in. This new materials sparked reflections on wonder, longing and grief, which I feel that can be a new layer on this work. “
Tear! (Fear) Photo Marlene Leppänen at Kanuti Gildi SAAL / Made in Estonia Marathon 2025
Exhibition opening at Copper Leg Art Residency On Thursday 6th March 2025 5pm-8pm
Here at Copper Leg, we continue to wonder with our artists. Abscission, which originates from the Latin abscissio, meaning “to cut off,” represents shedding the old to make space for new growth. What can we make room for in the process of cutting off? We invite you to enter a space of discovery, where ideas of growth, transformation, and renewal unfold naturally.
” By emphasizing the manual function of hand-sewing cut pieces of my clothes, my project is a subjective response that asks the question, “How do you photosynthesize?” The sculpture installation Abscission, and the non-binary short story How Do You Photosynthesize? explores plant biology and examines our human experience by navigating our connection to the environment through the developmental perspective of plants. The process of photosynthesis is one way to integrate psychology and botany to determine more about plants. The human psyche goes through growth processes that lead to healing, that we can also see in the plant world. We can learn how we treat relationships as transforming, in order to more thoroughly understand stages of decay and renewal. It promotes how the methodology in breaking down materials has emotional connotations beyond the growth, healing and separation that affects the significance of both human and plant cycles. “ -Sarah Noonan about their work.
Sarah Noonan (She/They, b.1997) is from Prince Edward Island, Canada and is a multidisciplinary artist based in Tallinn, Estonia. The innocent appearance and unrefined hand-sewing of their own clothes as material, often collides with their sensitive voice that raises haunting perspectives on what is sentimental and unstable. Through sculpture installation they explore psychological and emotional states that are poetic, oneiric, and non-gender specific. They consider our world today by investigating with an idiosyncratic viewpoint, what connects co-existing worlds.
Sarah Noonan received a Masters degree in Contemporary Art from the Estonian Academy of Arts (2024) and a Bachelor of Fine Arts from Mount Allison University (2019).
https://www.instagram.com/insidethesnox
Poster/header art: Sarah Noonan
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Neljapäeval, 6. märtsil 2025 17-20 Sarah Noonani ABSCISSION
Jätkame Vaskjala Loomeresidetuuris kunstnikega imetlemist. Abscission, mis on pärit ladinakeelsest sõnast abscissio, mis tähendab “ära lõikama”, esindab vana mahavalamist, et teha ruumi uuele kasvu. Mida saame lõikamise protsessis vabastada? Kutsume teid astuma avastuse ruumi, kus kasvu, transformatsiooni ja uuenduse ideed avanevad loomulikult.
” Minu projekt on subjektiivne vastus küsimusele „Kuidas sa fotosünteesid?”, rõhutades käsitsi õmmeldud kangatükkide lõikamise ja ühendamise füüsilist protsessi. Skulptuuriinstallatsioon Abstsissioon ning lühijutt Kuidas sa fotosünteesid? uurivad taimede bioloogiat ning inimkogemust, luues seoseid meie keskkonna ja taimede arenguprotsesside vahel. Fotosünteesi protsess pakub võimalust ühendada psühholoogia ja botaanika, et paremini mõista nii taimi kui ka inimesi. Inimese psüühika läbib kasvuprotsesse, mis viivad tervenemiseni – sarnaselt taimedele. See uurib, kuidas me mõtestame suhteid läbi muutumise ning kuidas lagunemise ja uuestisünni etapid mõjutavad nii inimese kui ka taime elutsüklite tähendust.” -Sarah enda tööst
Open Doors Day at Copper Leg Residency On Saturday 15th February 2025 2pm-5pm Art Presentation by Kim Cardoso
Photo Ott Kattel / Graphic design Janno Bergmann
On 29th January, people around the world gathered to celebrate Lunar New Year, a time to honor ancestors, reflect on the past, and embrace new beginnings. The celebration emphasizes family, heritage, and continuity through symbols of prosperity, such as red envelopes and special foods. We at Copper Leg are celebrating together with our artist, Kim Cardoso. It’s a time to reconnect with one’s roots and invite good fortune for the year ahead.
Kim Cardoso is a visual artist based in Oakland, California. Working primarily with wax and pigment, her practice explores the intersections between humanity and nature, driven by a curiosity about the passage of time. She is process-oriented and enjoys the physicality of her materials, drawing on her formal training as a metalsmith and decades of experience as a midwife.
Kim came to Copper Leg to explore her Estonian heritage, reflecting on collected memories, lost time, and connecting with the landscape her grandmother loved and left behind. This is her first international residency.
Avatud uste päev Vaskjala Loomeresidentuuris Laupäeval, 15. veebruaril 2025 14:00-17:00 Kim Cardoso loomigu esitlus
29. jaanuaril kogunesid inimesed üle kogu maailma tähistama Kuu uut aastat, aega esivanemate austamiseks, mineviku üle järele mõtlemiseks ja uute alguste vastuvõtmiseks. Püha rõhutab perekonna, pärandi ja järjepidevuse tähtsust läbi heaolu sümbolite, nagu punased ümbrikud ja erilised toidud. Me Vaskjala Loomeresidentuuris tähistame koos oma kunstnik Kim Cardosoga. See on aeg, et uuesti ühenduda oma juurtega ja kutsuda ligi head õnne järgmiseks aastaks.
Kim Cardoso on kunstnik, kes elab Oaklandis, Californias. Peamiselt vaha ja pigmendiga töötades uurib ta inimkonna ja looduse ristumiskohti, olles ajaga seotud uudishimu ajendatud. Ta on protsessipõhine ja naudib oma materjalide füüsilisust, tuginedes oma ametikoolitusele metallikunstnikuna ja aastakümnete pikkusele töökogemusele ämmaemandana. Kim tuli Vaskjala Loomeresidentuuri, et uurida oma Eesti pärandit, mõeldes kogutud mälestustele, kadunud ajale ja ühendusesse maastikuga, mida tema vanaema armastas ja jättis maha. See on tema esimene rahvusvaheline residentuur.
On Saturday 25th January 2025 Open Doors Day at Copper Leg Art Residency Art Presentation by Jitka Králová & Felipe Franco
Photo Ott Kattel / Graphic design Janno Bergmann
Copper Leg Art Residency is located on the North Estonian Klint, a geological formation characterized by limestone bedrock formed during the Ordovician period, approximately 450 million years ago. The surrounding landscape is shaped by flat plains and fertile soils, fostering the agrarian environment around the residency. This January, the area has been blanketed in snow, adding a serene and tranquil quality to the rural scenery.
Our January artists, Jitka Králová and Felipe Franco, have been embracing and exploring this unique landscape. Through collecting and connecting with their surroundings, they have delved into the profound relationship between material, nature, and one another.
Jitka Králová, from the Czech Republic, works at the intersection of media such as painting, ceramics, and drawing in public spaces. She explores the motivations behind urban and rural environments, raising questions about the forms of everyday expression.
Felipe Franco, from Colombia, engages with video and spatial actions to build narratives that, through architecture and domestic expressions, question everyday life.
Laupäeval, 25. jaanuaril 2025 Avatud uste päev Vaskjala Loomeresidentuuris Loomingu esitlus: Jitka Králová & Felipe Franco
Vaskjala Loomeresidentuur asub Põhja-Eesti klindil, geoloogilisel moodustisel, mida iseloomustab ordoviitsiumi ajastul, umbes 450 miljonit aastat tagasi, tekkinud lubjakivist aluspõhi. Ümbritsev maastik koosneb tasastest tasandikest ja viljakatest muldadest, kujundades residentuuri ümbruse põllumajanduslikku keskkonda. Selle jaanuari jooksul on piirkond olnud lumega kaetud, lisades maapiirkonnale rahulikku ja vaikset ilu. Meie jaanuarikuu kunstnikud, Jitka Králová ja Felipe Franco, on võtnud omaks ja uurinud seda ainulaadset maastikku. Kogudes ja luues ühendust oma ümbrusega, on nad süvenenud sügavamatesse seostesse materjali, looduse ja teineteise vahel.
Jitka Králová, Tšehhi Vabariigist, töötab meediumite lõimumisega, nagu maalikunst, keraamika ja joonistamine avalikes ruumides. Ta uurib linnakeskkondade ja maapiirkondade motivatsioone, tõstes esile küsimusi igapäevaelu väljendusvormide kohta.
Felipe Franco, Kolumbiast, tegeleb videomeedia ja ruumiliste tegevustega, luues narratiive, mis läbi arhitektuuri ja koduste väljendite küsitlevad igapäevaelu.
Mohar Kalra stayed, lived and made his art at the Copper Leg Art Residency from January 6 to January 19, 2025.
Kalra’s project experimented with the sounds frozen water bodies make when struck with various materials, aiming to inform a performance on ice across Europe, reflecting on what we lose as climates change. During his stay at Copper Leg Art Residency, Kalra explored ice in various environments, experimenting with the textures and sounds it produces to uncover its compositional potential.
” Specifically, I experimented on canals, bogs and lakes, some of which made better sounds than others (the lake was best, but it also depended significantly on how the ice had formed and if it had a layer of snow saturating it). I also performed other material experiments on snow and ice, attempting to see what sound and impact would arise when water in a glass vessel freezes and cracks the glass, for example. I also experimented with the sounds and theatrical qualities of snow melting on a sauna heater. Snow and ice are inherently transient materials and I will use this material research to frame the performance I ultimately produce. “
On Friday 20th December 2024 Open Doors Day at Copper Leg Art Residency Art Presentation with Irena Paskali
Photo Ott Kattel / Graphic design Janno Bergmann
Here at Copper Leg, December has been art busy, yet it’s also about simple comforts—like a warm cup of hot chocolate and the beauty of a thin, frosty layer of snow finally blanketing the ground. Accompanied by the nostalgic smell of burned wood, we warmly invite you to join us for artist Irena Paskali’s art presentation and a small seasonal gathering.
Irena Paskali was born in 1969 in Macedonia and has been living and working in Cologne, Germany, since 2004. She studied at the Academy of Media Arts Cologne, completing her Master of Arts in 2007, after graduating from the Academy of Fine Arts in Skopje, Macedonia. The artist works in a variety of media, including photography, video, drawing, painting, and experimental film. At the centre of her work is always the human being. She explores themes such as the fragmentation of cultures and religions, as well as questions of identity and alienation. Paskali has received numerous international scholarships and awards, held several solo exhibitions, and participated in many international group exhibitions.
At Copper Leg, Paskali has been showcasing her videotape installation in the atelier room. She has been developing this work since 2021 in various locations, including Germany, the Czech Republic, the Netherlands, Togo, Macedonia, Slovenia, and Bosnia and Herzegovina. The montage is composed of VHS and BETA tapes, as well as materials typically found on-site, such as stone and wood. At Copper Leg, we will experience it under the title WOOD INFERNO, referencing the on-site heating system and the actions associated with it.
“Modern history was recorded on celluloid and continued on videotape. It is a carrier of ideologies, agitation, information and film art. The transmission of this content decisively determined the paths we have taken in different spheres of the world, creating identification, cultural identity and a sense of community. The strictly drawn lines symbolize the identity of this carrier of information in the early stages of moving images.” -Irena Paskali
Alongside her tape installation, Paskali has also been painting, working with clay, and creating performative, documentary-style photography at Copper Leg.
Performatiivne dokumentaalstiilis foto Irena Paskali Vaskjalas filmitust videost.
Reedel, 20. detsember 2024 Avatud Uste Päev Vaskjala Loomeresidentuuris Loomingu esitlus Irena Paskaliga
Copper Legis on detsember olnud loominguliselt kiire, kuid samas on see ka aeg, mil hindame lihtsaid naudinguid—sooja tassi kuuma šokolaadi ja õhukest, härmas lumekihti, mis lõpuks maapinda katab. Põleva puidu nostalgilise lõhnaga kutsume teid liituma kunstnik Irena Paskali loomingu esitlusele ja väikesele hooajalisele koosolekule.
Irena Paskali sündis 1969. aastal Makedoonias ja on elanud ja töötanud alates 2004. aastast Kölnis, Saksamaal. Ta õppis Kölnis Meediakunstide Akadeemias, kus ta lõpetas magistrikraadi 2007. aastal pärast Makedoonia Skopje Ilukunstide Akadeemiast lõpetamist. Kunstnik töötab erinevates meediumides, sealhulgas fotograafia, video, joonistamine, maalimine ja eksperimentaalfilm. Tema töös on alati keskne inimene. Ta uurib kultuuride ja usundite killustumist, samuti identiteedi ja võõrandumise küsimusi. Paskali on saanud mitmeid rahvusvahelisi stipendiume ja auhindu, korraldanud mitmeid isikunäitusi ja osalenud paljudes rahvusvahelistes rühmanäitustes.
Vaskjala Loomeresidentuuris on Paskali esitletud oma videotape-installatsiooni ateljees. Ta on seda teost arendanud alates 2021. aastast erinevates asukohtades, sealhulgas Saksamaal, Tšehhi Vabariigis, Madalmaades, Togos, Makedoonias, Sloveenias ja Bosnia ja Hertsegoviinas. Montaaž koosneb VHS- ja BETA-lintidest ning materjalidest, mida tavaliselt leidub kohapeal, nagu kivi ja puit. Vaskjalas kogeme seda teost nimega WOOD INFERNO, viidates kohapealsele küttesüsteemile ja sellele seotud tegevustele.
“Kaasaegne ajalugu on salvestatud tselluloidile ja jätkunud videotuuril. See on ideoloogiate, agitatsiooni, info ja filmikunsti kandja. Selle sisu edastamine määras otsustavalt teed, mida oleme erinevates maailma sfäärides läbinud, luues identiteedi, kultuurilise identiteedi ja ühtekuuluvuse tundmise. Rangelt joonistatud jooned sümboliseerivad selle info kandja identiteeti liikuvate piltide varajastes etappides.“ -Irena Paskali
Lisaks oma tape-installatsioonile on Paskali Vaskjalas ka maalinud, töötanud saviga ja loonud performatiivset dokumentaalstiilis fotograafiat.
On Saturday 30th November 2024 Open Doors Day at Copper Leg Art Residency Performance by Lea Blau
Photo Ott Kattel / Graphic design Janno Bergmann
November has brought stunning sunsets and sunrises, while winter knocks on the door, signaling the season’s shift. The house has been kept warm, actively used by three artists collaborating on a new project. On Saturday, we’ll experience the fresh breath of the performance Kikimora.
Lea Blau is a Croatian artist based in Tallinn, Estonia. With an MA in contemporary performance (CPPM) from the Estonian Academy of Music and Theatre, her work blends symbolism, multimedia, and folk traditions. Exploring themes of trauma, otherness, and ritual, she creates transformative live experiences that merge the personal with the political.
At Copper Leg, Lea has been working on her new performance project Kikimora alongside sound artist Stefano Mattozzi and performer Seren Oroszváry.
Kikimora is a performance that explores themes of ancestry, displacement, and feminine resilience through the lens of Slavic folklore. Inspired by the mythical household spirit Kikimora, the project delves into the tension between one’s roots and the challenges of adapting to foreign environments, as well as the inherited burdens passed between women. Using a combination of live music, movement, and ritualistic practices, the performance evokes Kikimora’s presence as a force of both chaos and transformation.
Laupäeval, 30. november 2024 Avatud Uste Päev Vaskjala Loomeresidentuuris Loomingu esitlus koos Lea Blauga.
November on toonud lummavaid päikeseloojanguid ja -tõususid, samal ajal kui talv koputab uksele, tähistades hooaja vahetumist. Maja on hoitud sooja ja seda on aktiivselt kasutanud kolm kunstnikku, kes töötavad uue projektiga. Laupäeval kogeme etenduse Kikimora värsket hingeõhku.
Lea Blau on Horvaatia kunstnik, kes elab Tallinnas, Eestis. Ta on saanud kaasaegse esituskunsti magistrikraadi (CPPM) Eesti Muusika- ja Teatriakadeemiast. Tema looming ühendab sümbolismi, multimeedia ja rahvakunsti traditsioone. Tegeledes traumade, teistsugususe ja rituaalide temaatikaga, loob ta transformatiivseid live-kogemusi, mis ühendavad isikliku ja poliitilise.
Copper Legis on Lea töötanud oma uue etendusprojekti Kikimora kallal koos helikunstniku Stefano Mattozzi ja naitleja Seren Oroszváry. Kikimora on etendus, mis uurib esivanemate, paguluse ja naiseliku vastupidavuse teemasid slaavi rahvapärimuse vaatenurgast. Inspireeritud müütilisest koduvaimust Kikimorast, süveneb projekt pingesse inimese juurte ja välismaa keskkonda kohandumise vahel, samuti naiste vahel pärandatud koormustesse. Kasutades live-muusika, liikumise ja rituaalsete praktikumide kombinatsiooni, toob etendus esile Kikimora kohaloleku kui nii kaose kui ka transformatsiooni jõu.
On Sunday 27th October 2024 Open Doors Day at Copper Leg Art Residency
Residency Sharing with Seren Oroszvary ft. A Body To Dwell Co. Workshops with Karina Talts and Camilla Eustance. Installation by Camilla Eustance.
Autumn has been fruitfully busy at Copper Leg Art Residency, with the house full of artists coming and going since September. Now, we have the opportunity to savour the flavours of their creative work.
A Body To Dwell is an intimate, multimodal, site-specific experience that invites a journey through the spaces we inhabit, inside and outside of ourselves. A Body To Dwell was created in 2020 by actress, voice over and performance artist Seren Oroszvary exploring the concept of the house is the body. It premiered at the 2021 CPPM Manifestal in a small loft house in Viimsi Estonia where the project was lived and built by an international ensemble of multidisciplinary artists.
Four years on, in February 2024, the ever-growing A Body To Dwell team took the project to the Copper Leg house in Vaskjala. They returned for a second time this Autumn to plug away at their continuous discovery and befriending of the house’s structure and site, in preparation for a next premiere in 2025/26.
Last week they disappeared, back home, findings made, until next time. Shadows left behind. This Open Doors, collated by Artistic Director Seren Oroszvary, invites you to a lunch of traces that reveal a peek into the story, research, devising process, conversations, quirks, voices, imaginations and reverie of the A Body To Dwell team as they navigate their dwelling, their practice and their dialogue with each other, with the project, with the House (and its mouse). Bring your feet, hearts, your imagination.
10:00 Doors Open 10:30 Workshop with Karina Talts 11:30 Morning Tea 12:00 Workshop with Camilla Eustance 13:30 Break 14:00 Autumn Luncheon+Residency Sharing with Seren Oroszvary 17:00 Doors Closed
Mindful Autumn Drawing with Camilla Eustance: In this workshop, Camilla will guide participants through a series of simple drawing exercises about connecting to the season and to each other. No prior drawing experience required.
Camilla Eustance (she/they) is a Melbourne-based multidisciplinary artist whose work focuses on the nexus of neoliberalism, mental health and the internet. She has a BA (Hons) graduate, a Diploma of Illustration graduate, and is currently undertaking a Master of Fine Art at RMIT University.
A Body to Feel workshop with Karina Talts: During this workshop, we will explore how to feel and connect with your own body through the lens of Chinese medicine. You will learn to recognize the flow of Qi and how different practices, such as movement, breathing, and mindfulness, can help you cultivate a deeper connection with your body.
Tallinn based artist Karina Talts has a diverse background in Swedish philology, theatre theory, and Chinese medicine studies. Her artistic practice spans a wide range of disciplines, including dance, performing arts, painting, energy movement and energy medicine. She is currently researching potential benefits that Qigong can provide to artists.
Header photo Ott Kattel & graphic design: Janno Bergmann Photo: Ott Kattel
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Pühapäeval, 27. oktoobril 2024 Avatud Uste Päev Vaskjala Loomeresidentuuris
Loomingu esitlus koos Seren Oroszvary ja A Body To Dwell Co.-ga. Töötoad Karina Taltsi ja Camilla Eustance‘iga. Instalatsioon Camilla Eustance‘ilt.
Sügis on olnud Vaskjala Loomeresidentuuris viljakalt tegus, alates septembrist on maja täitnud kunstnikud, kes tulevad ja lähevad. Nüüd on meil võimalus maitsta nende loomingut.
Keha, kus elada on intiimne, multimodaalne, kohaspetsiifiline kogemus, mis kutsub rändama ruumides, mida asustame nii seest kui väljast. Projekti lõid näitleja ja performance’i kunstnik Seren Oroszvary 2020. aastal, uurides kontseptsiooni „maja on keha“. Esmakordselt esitati see 2021. aastal CPPM Manifestalil väikese pööningumajakeses Viimsis, kus projekt elas ja kasvas koos rahvusvahelise mitut valdkonda ühendava kunstnike ansambliga. Neli aastat hiljem, veebruaris 2024, tõi laienenud Keha, kus elada tiim projekti Rae koolimajja, “Copper Legi” Vaskjalas. Sel sügisel tulid nad tagasi, et jätkata oma uurimisretke ja maja struktuuriga sõbrunemist, valmistudes järgmise esietenduse jaoks 2025/26.
Eelmisel nädalal paljud kadusid, tagasi koju, leidudega, kuni järgmise korrani. Varjud jäid maha.
See Avatud Uste Päev, mille on kokku pannud kunstiline juht Seren Oroszvary, kutsub teid lõunale, kus tutvustatakse leidude killukesi – pilguheidu projekti uurimisse, loomise protsessi, vestlustesse, häältesse ja kujutlusse, mille abil Keha, kus elada meeskond navigeeris oma tegevust, elukohta ja dialoogi üksteisega, projektiga ning majaga (ja selle hiirega). Võtke kaasa oma jalad, südamed ja kujutlusvõime.
10:00 Uksed avatud 10:30 Töötuba Karina Taltsiga 11:30 Hommikutee 12:00 Töötuba Camilla Eustance’iga 13:30 Paus 14:00 Sügislõuna + loomingu esitlus koos Seren Oroszvary 17:00 Uksed suletud
Mõtlik sügisjoonistamine Camilla Eustance’iga: Selles töötoas juhendab Camilla osalejaid läbi lihtsate joonistusharjutuste, mis keskenduvad hooaja ja üksteisega ühenduse loomisele. Varasem joonistamiskogemus pole vajalik.
Camilla Eustance on Melbourne’is asuv multidistsiplinaarne kunstnik, kelle töö keskendub neoliberalismi, vaimse tervise ja interneti ristumiskohale. Tal on bakalaureusekraad (Hons) ja illustreerimise diplom ning ta jätkab praegu magistriõpinguid RMIT ülikoolis.
Tundekeha / Kehatunne töötuba koos Karina Taltsiga: Selles töötoas uurime, kuidas tunda ja luua ühendust oma kehaga läbi Hiina meditsiini vaatenurga. Õpid ära tundma Qi voolu ning kuidas erinevad praktikad, nagu liikumine, hingamine ja teadvelolek, aitavad sul süvendada ühendust oma kehaga.
Karina Talts on Tallinnas tegutsev kunstnik, kellel on mitmekesine taust rootsi filoloogias, teatriteoorias ja Hiina meditsiini õpingutes. Tema kunstipraktika hõlmab tantsu, etenduskunsti, maalimist, energiavoolu ja energiameditsiini. Praegu uurib ta Qigongi võimalikke kasulikke mõjusid kunstnikele.
On Saturday, 24th August 2024 16:00-18:00 Open doors day at Copper Leg Art Residency. Sandra Ernits´s art presentation.
August and Copper Leg Art Residency are savoring the last bits of summer with artist Sandra Ernits. Sandra Ernits is an Estonian sculptor and installation artist based in Tallinn and Laagri. We are very inspired and happy to witness the winner of the Young Sculptor Award 2024 in action.
“The purpose of the Young Sculptor Award and the accompanying exhibition, which has been awarded since 2012, is to highlight and recognize the professional activities of young artists working in sculpture and installation.”
The competition and exhibition are organized by the EKA (Estonian Academy of Arts) Installation and Sculpture Department and welcome participants from all fine arts students of EKA. Since 2021, the Copper Leg Art Residency has had the honor of supporting the winner with a month-long residency stay.
Header photo Ott Kattel and graphic design Janno Bergmann
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Laupäeval, 24. augustil 2024 16:00-18:00 Avatud uste päev Vaskjala Loomeresidentuuris. Toimub Sandra Ernitsi loomingu esitlus.
August ja Vaskjala Loomeresidentuur naudivad suve viimaseid hetki koos kunstniku Sandra Ernitsaga. Sandra Ernits on Tallinnas ja Laagris tegutsev Eesti skulptor ja installatsioonikunstnik. Oleme väga inspireeritud ja õnnelikud, et saame tunnistada Noore Skulptori Preemia 2024 võitjat tegevuses.
“Noore Skulptori Preemia ja sellega kaasneva näituse eesmärk, mida antakse välja alates 2012. aastast, on tõsta esile ja tunnustada noorte skulptuuri ja installatsiooniga tegelevate kunstnike professionaalset tegevust.”
Konkurssi ja näitust korraldab Eesti Kunstiakadeemia (EKA) installatsiooni ja skulptuuri osakond ning oodatud on kõik EKA vabade kunstide üliõpilased. Alates 2021. aastast on Vaskjala Loomeresidentuur olnud au toetada võitjat kuuajase residentuuriga.
